11/10/2021 0 Comments Motu 828 Firmware
Now, they've replaced the 828 with a MkII version offering high sample-rate recording, more flexible clocking, MIDI I/O and better metering — and, what's more, they've cut the price.The original MOTU 828, launched in 2001 and reviewed in SOS July 2001, has proved to be an incredibly popular Firewire audio interface for both Mac and PC users wanting multiple channels of analogue and digital I/O. Three years ago, Mark Of The Unicorn were the first manufacturer to bring out a working Firewire interface. There is no simple "Speaker USB Audio" option.I was using the XLR main out connection & it simply wasn't working , if you read through the entirety of my original posts you would realise that I have basically tested everything, it did work once as expected for a brief period but the db LED meters on the front display were bricked on 1 light at -42db. Uploaded on the firmware on clean win 10. The motu 828 mk2 is a 14 x 10 audio and midi interface designed for the home studio daw that will support up to 96 khz. I am having a problem with what seems to be the firmware on my.
Motu 828 Firmware Manual Was WrittenThe best news is that despite the many improvements, the price is now £100 lower than the old 828. Perhaps most important is the addition of control surface support for devices such as Mackie Control, though Talkback and Listenback have been also been added, which is welcome news for anyone operating a separate control room and studio. As before, MOTU's Mac-only Audiodesk multitrack recording software is bundled with the interface, and offers a multitrack recording and processing environment not dissimilar to the audio side of Digital Performer.You also get the Cuemix utility, which can set up the mixer for computer-controlled or stand-alone operation, and this has evolved to include some original features added since the manual was written, so you need to download the latest PDF files to find out how these work.The other welcome addition is a second Firewire socket, which makes life easier when you need to chain peripherals.New to the 828 MkII are MIDI I/O, word clock support and SMPTE sync.Other niceties include MIDI In and Out, on-board SMPTE sync for those rare occasions when MTC isn't what you need, and the ability to use the unit as a stand-alone mixer. A standard ADAT 9-pin sync socket is provided for the sample accurate sync'ing of an ADAT or ADAT-compatible recording/playback device and there's now both word clock in and out on standard BNC connectors, so if you have a master clock unit, there's now somewhere to plug it! Usefully, the word clock circuitry can also follow and generate high and low sample rates so that, for example, you could be running at 44.1kHz but still lock to a double-speed 88.2kHz clock, or vice versa as selected in the MOTU Firewire Audio Console. The analogue input jacks can be individually switched to either +4dBu or -10dBv sensitivity and up to 6dB of additional digital gain is available if needed.Further digital I/O is catered for by a pair of Toslink/ADAT lightpipe input and output connectors, which provide eight channels at 44.1kHz and 48kHz or four channels at high sample rates, and stereo S/PDIF in and out on dedicated RCA phonos, which can also be duplicated on the optical I/O. Gold-plated connector contacts are used throughout and the converters are 24-bit, 64x oversampling with 96kHz capability. Insert send jacks for these two channels are fitted to the rear panel, and any free outs or ins can be used as aux sends and returns.Motu 828 Firmware Drivers For MacAs supplied, the 828 MkII comes with multi-channel ASIO drivers for Mac and PC as well as a Mac OS X Core Audio driver. Cuemix is also useful for monitoring MIDI hardware instruments directly rather than via aux channels set up in your sequencer, though of course you don't get zero latency with software instruments as their sound is generated inside the computer. Having said that, MOTU have made it easy to connect a hardware reverb unit for monitoring by adding an effects loop controlled by an aux send. The main outputs themselves are equipped with 128x oversampling converters and may be used to provide a main stereo output feed, or they can carry the zero-latency cue mix.Cuemix can be used to send the signals being recorded directly to the outputs rather than monitoring them via the computer, so that they can be heard without any delay, albeit with no added plug-in effects. Having a physical output level control is particularly useful for anyone using active monitors without a mixer, as this provides them with a means to adjust their monitoring level.Also on the front panel is the headphone jack, which by default shares the same level control as the main stereo outs. Each input has its own Trim control for level setting and a miniature toggle switch to turn on phantom power for use with capacitor mics or active DI boxes. MOTU claim that the MIDI timing is as accurate as the host software allows.The two front-panel combi sockets accept XLR mic connectors, balanced or unbalanced jack line connectors and high-impedance instrument connectors (usually unbalanced). The original 828 had no MIDI I/O, whereas the MkII has one MIDI In and one MIDI Out, which communicate with the host computer via the Firewire cable, though on the Mac platform, MIDI is supported under OS X only. However, certain audio programs, including the current versions of Logic and Cubase, don't as yet allow users to select multiple audio interfaces under Mac OS X, a situation that both Emagic and Steinberg need to sort out without further delay.The Cuemix software is, in effect, a control panel for the 828 MkII's on-board DSP, which runs your mixer setups without imposing any load on the host CPU.The Cuemix DSP section of the control panel controls the internal DSP mixing facilities and also allows Global settings to be adjusted. In theory, under Mac OS X, users can slave the MOTU driver to another Core Audio driver — either MOTU or third-party, which includes the Mac's built-in audio — for accurate sync. Note that the 828 MkII has been designed to allow you to use multiple units together, but whether this is possible depends on the operating system of the host computer and/or the audio software you're working with. SMPTE sync works with any host applications, Mac or PC, that support the ASIO 2 sample-accurate sync protocol. One of the included pieces of software is called MOTU SMPTE Console, and provides the means to control the SMPTE functionality of the unit when, for example, sending SMPTE to stripe tapes. A DSP-powered phase-locking system is used in combination with filtering to achieve fast lock times and sub-frame timing accuracy. Slightly stoopid songsComputer-free use is made possible by the six rotary encoders on the front panel where their values, levels or parameter names are shown in the display window. This could be useful in setting up a couple of alternative monitor cue mixes, for example. As a stand-alone mixer, the 828 MkII can sum all the inputs to a stereo pair and up to four simultaneous mixes can be run, each feeding a different output pair. When something is adjusted, the display temporarily 'zooms' in on this parameter while it is being adjusted and the time the display takes to revert to normal after adjustment can also be changed by the user. Back in mixer mode, the LCD shows the settings for the current mix, where the two lines of characters become two lines of tiny faders. Using the DSP section, up to 16 mix presets can be stored and recalled.The 828 MkII's LCD can be switched between Setup and Mix modes by pressing the Setup knob, and in Setup mode you can choose whether the optical I/O is ADAT or S/PDIF, you can choose the digital sync mode, set the headphone assignment and so on.
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